Peter Apfelbaum

Peter Apfelbaum & New York Hieroglyphics featuring Abdoulaye Diabate Tuesday, October 28, Langston Hughes Performing Arts Center

Apfelbaum’s reformulated Hieroglyphics Ensemble, a tentet now based in New York, performs the original piece Aural Histories, composed with a Chamber Music America/Doris Duke Foundation grant. In each of the piece’s sections, a band member improvises over a composed background while Malian griot Abdoulaye Diabate sings a narrative of that particular musician’s life.
A leading figure in the world-jazz movement, Peter Apfelbaum has always gravitated to transporting melodies and timbres and to a group dynamic that emphasizes extended improvisation over jazz-infused West African and Afro-Caribbean styles. The Guardian called the results, in Aural Histories, “positively fire-spitting.”
With Peter Apfelbaum (tenor sax, piano, percussion) and vocalist Abdoulaye Diabate, who hails from a long family tradition of griots and has also performed in the West with the likes of jazzmen Don Byron and guitarist-folklorist Banning Eyre, are: Peck Allmond (trumpet, reeds), Josh Roseman (trombome), Jessica Jones (tenor sax, flute), Tony Jones (tenor sax), Charles Burnham (violin), David Phelps (guitar), Patrice Blanchard (bass), and – a show unto himself – Dafnis Prieto on drums.

Click here for the complete schedule for the rest of the upcoming shows at the 2008 Earshot Jazz Festival

Photograph by Paul Joseph Brown a photojournalist for the Seattle Post Intelligencer. He is also a Seattle wedding photographer photographing weddings with A Beautiful Day Photography group of  Seattle wedding photographers.


Blog Catalog Blog Directory

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s